BJÖRK - The self-healer
Those entering the Museum of Modern Art in New York these days will find themselves in a picture and sound installation in which Björk can be heard and seen from headphones and on canvases, on monitors and in picture frames. 50 in November, more than half of this time she shaped the pop world with a fascinatingly headstrong style, in which futuristic and archaic elements merged with each other in a natural way: organic-looking electronica, burst beats, mercurial melodies and a voice that became the flagship of pop "made in Iceland".
The 2011 album "Biophilia" alone offers its own multimedia microcosm in the MoMa. Björk dealt with the universe in both small and large dimensions, she had developed new instruments and had an app programmed for each song: an album as an open laboratory. From here it could hardly become more futuristic and abstract. Would their next experiment ever take place within the album format?