The renunciation of guttural singing, which began with "Heritage" and continues at least in the studio, has already lasted seven years. A live document of this era (apart from an exclusive magazine release in 2011) remained indebted to Opeth for a long time. On "Garden Of The Titans: Live At Red Rocks Amphitheatre" they now show how well "old" and "new" Opeth go together - and that according to guitarist Fredrik Åkesson they sound even better than on record.
The history of the Red Rocks Amphitheatre as a sought-after place for musical culture begins with the former owner of the fashion magazine "Cosmopolitan": John Brisben Walker organises the "Grand Opening of the Garden of the Titans" in 1906. For Fredrik Åkesson, who appears exactly 111 years later, the rock formation is one of the most remarkable venues of all. Opeth therefore decided to do the same with U2 and Neil Young and produce a concert film there.
LED ZEPPELIN - The Last Remaster?
"That's it," my ass! Jimmy Page has charmingly told us about the new editions of "Presence", "In Through The Out Door" and "Coda". With "The Complete BBC Sessions" the 72-year-old Englishman once again enters the Remasters-Ring and adds eight songs to the live recordings from the late 60s and early 70s as well as a lot of discussion needs. We report what awaits the fan and discuss with Jimmy Page the new extended and revised re-release - possibly the last remaster.
THE BEATLES - Always on the move
The Opeth fans are still divided. And if you take Mikael Åkerfeldt at his word, this will probably not change in the foreseeable future. Especially those fans who have always followed the creeping change from Death Metal to Åkerfeldt's personal preferences like Psychedelic, Krautrock and obscure progressive material with suspense will probably receive "Sorceress" with open arms again, because the Swedes continue their search for traces in the sixties and seventies on album number twelve.
Interviews with Mikael Åkerfeldt are hard to come by this September. Even for labels and management, the Opeth boss has not been within reach for a long time. But God and the world would like to talk to the singer/guitarist about the new album "Sorceress". "Write it quietly, it's a cool story," says nature fan Åkerfeldt laughing at the question of whether he has once again hidden from the public in the forest. A quite significant statement. And once you have the 42-year-old father of two children wrapped, you can be happy about an extremely eloquent, witty, friendly and above all very talkative interview partner. He then likes to ignore agreed talk times once in a while and overdraws them. In addition, Åkerfeldt once again shows himself to eclipsed as an enthusiastic progfan and fanatical vinyl collector. The own album moves thereby fast times into the background.
BLUES PILLS - Little Boy Preacher (3:33)
Album: Lady In Gold (2016)
Label/Distribution: Nuclear Blast/Warner
After the smooth introduction with the title track, the second Blues Pills-Longplayer really takes off with "Little Boy Preacher". Both on the album and on the sampler song the band from Örebro seems more soulful, subtle and mature. Elin Larsson in particular benefits from this orientation.
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eclipsed is a music magazine based in Aschaffenburg and has been on the German market since 2000. It is aimed at friends of sophisticated rock music who want to go on a new acoustic voyage of discovery month after month.
eclipsed deals in detail with the rock greats of the 60s and 70s in the areas of art rock, prog, psychedelic, blues, classic, hard rock and much more as well as with the current scene in these areas.