"Welcome back my friends to the show that never ends!" was the motto of the prog power trio. Musical pomp full of virtuosity, made for eternity and with the claim to set a visual mark was his trademark. ELP were thus among the leading pioneers of progressive rock. But what role did they play, especially in the years 1970 to 1973, compared to the other genre founders King Crimson, Genesis, Yes and the art rockers of Pink Floyd? Together with drummer Carl Palmer, the last surviving member of the three, we take a journey through 50 years of ELP history, highlight the unique significance of this great band for rock music, review their most important albums, covers and special tracks and answer the question of what to expect from ELP in the future. Curtain up ..
In addition to his main job at The Who, Pete Townshend has earned an extra income as an editor for various publishers. The sideline became a passion which he now crowns with his first novel. "The Age of Fear: An Art Novel" is also intended as the basis for an upcoming rock opera.
The following book excerpt describes a reunion concert by Walter, who had retired from the music business for a long time because he was plagued by visions of other people's fears. Together with his old band and his father, after 15 years he discovers his new creativity and transforms the sounds he hears into tangible, if disturbing music. It is the beginning of a liberation
Extract from the book by Pete Townshend (from page xxx to page xx)
He is fascinated by biblical material: On his new solo album "Sola Gratia" the US-progger NEAL MORSE deals with the story of the apostle Paul. The parable of the prodigal son, the life of Martin Luther, finding meaning and faith have already been dealt with by him in concept albums. The idea of writing an album about the proverbial transformation of Saul, the persecutor of Christians, into a follower of Jesus and missionary Paul, Neal Morse had been pregnant for quite some time. After "Sola Scriptura" (2007), "Sola Gratia" is his second album, which is titled with a reformatory principle. As Morse explains in the interview, the trigger for this was an acoustic misunderstanding
eclipsed: How did the second "Sola" album come about?
Next to Jimi Hendrix and Eric Clapton, he was the third great virtuoso of the electric guitar in the 60s: Peter Green became famous with John Mayall's Bluesbreakers, founded Fleetwood Mac and gave the world song classics like "Albatross" and "Oh Well". In 1970, after little more than three years, he left the band and only appeared sporadically in the spotlight after that. An obituary for a mentally unstable genius who was one of the greats of the classic rock era.
It is hard to imagine what would have become of this man with his sensitive fingers if he had finished the butcher apprenticeship he had begun. The excursion into the bourgeois working world, however, remained a brief intermezzo in the life of Peter Allen Greenbaum, because the 15-year-old soon put the butcher's knife aside in order to devote himself entirely to the guitar from then on. It was to lead him into the clear heights, but also into the darkest abysses.
"Versions Of The Truth", the thirteenth studio album of The Pineapple Thief, is also the third one with Gavin Harrison on drums. Since the ace of drums has become a permanent member of Bruce Soord's long-lived new art rock band, the sound and arrangements have been refined, the music has become more atmospheric and suspenseful. The new work also invites again to a fascinating journey.
Bruce Soord is sitting in his home studio in Yeovil, a small town in the southwest of the UK, for the Skype interview. He is using the microphone he normally uses to record his vocals. These are new and interesting insights into the lives of musicians in the times of Corona ...
eclipsed: Your new album is called "Versions Of The Truth". As you can learn, it is about the very current debate about the difference between facts and personal perception
Three years after the very personally colored "In The Passing Light Of Day" Pain of Salvation again present a modern concept album with depth. On "Panther" bandleader Daniel Gildenlöw develops a unique, fascinating musical and lyrical world, dissecting social erosion zones as usual
"Daniel would like to give longer interviews this time," says the responsible PR agency. A statement that makes you smile when you consider that the singer and guitarist generally tends to overflowing, but at the same time highly intelligent and even at times extremely polished monologues. Overruns of the interview times had to be planned anyway. In the end, almost one and a half hours pass in an interview that spans the range from musical to personal and socially significant topics.
The Cologne dialect rock institution BAP also had to take a corona-related time-out. But now the new album "ALLES FLIESST" will finally be released on September 18th. A work as earthy as it is atmospherically dense, which evokes memories of the band's great early works. BAP thinker and director Wolfgang Niedecken himself draws comparisons to "Zwesche Salzjebäck un Bier". On the cover, his gaze wanders from Cologne Cathedral across the Rhine and the river of the world. What is it about the new BAP-Weitblick?