The musicians from Mannheim, Leipzig, Hamburg and Berlin got to know each other during their studies at the Mannheim Pop Academy. "Soul splinters were our bachelor's project at the time," says drummer and principal composer Fenix Gayed. "But then we realised relatively quickly that we would like to continue with the band after our studies," adds guitarist Simon Kramer in the joint interview. "We all come from different musical backgrounds, and with the founding of the project there was a fusion of these influences. Currently Steven Wilson has inspired us with 'The Raven That Refused To Sing' and Haken's 'The Mountain'. Other notable influences include Emerson, Lake & Palmer, Dream Theater and Snarky Puppy. Earthside with their debut 'A Dream in Static' were also very important, as they encouraged us to work with different guest singers for each song. The original singer wanted to go his own way after his studies, and since it is not easy to find the right vocalist, especially in the prog area, we decided to take this approach
The diversity or rather the different gestures of the individual titles is almost predestined for this approach anyway. For the album as a whole is a more than 60-minute prog-parcer ride, in which soul splinters of modern classic with a touch of minimal music, progressive rock of the seventies, symphonic elements, prog metal and above all a lot of jazz. Even in terms of lyrics the album offers an interesting approach. "Just as we musically try to combine different styles, we also connect different worlds lyrically," explains Gayed, who earns his money as a session musician and drum teacher. "I would describe it as a mixture of sci-fi and primal myth. Salutogenesis' is first of all a medical term. It describes a healing approach where the focus is on health - what you can do to promote and maintain it. Getting healthy is understood as a process that is also carried out in the context of the album. Both on the individual level of the protagonist, who has to face his inner and emotional conflicts in order to find a healthy, coherent sense of life and meaning, and on the collective level, on which this very healing process then enables a recovery of society and the planet
Nick Oliveri is uncontrollable. The former Kyuss-, Dwarves- and Queens-Of-The-Stone- Age bassist comes now with a solo project, in which he played all instruments solo except for solo guitar contributions of Dean Ween, Motörheads Phil Campbell, Stephen Haas (Moistboyz) and Bruno Fevery (Kuyss Lives!).
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eclipsed is a music magazine based in Aschaffenburg and has been on the German market since 2000. It is aimed at friends of sophisticated rock music who want to go on a new acoustic voyage of discovery month after month.
eclipsed deals in detail with the rock greats of the 60s and 70s in the areas of art rock, prog, psychedelic, blues, classic, hard rock and much more as well as with the current scene in these areas.