By 1971, the myths of the Sixties had faded, and a young, innovative rock scene was conquering the mainstream. It was an unprecedented creative spectacle: The musical balance sheet of 1971 contains more grandiose albums, unforgettable songs and promising newcomers than ever before or since. And: Rock music never had more of a future than at this unique moment in its history. How did it come about? And what were the consequences? A tour through a musical year that was as wonderful as it was wondrous
Actually Dieter Dierks doesn't like to be looked into the notes, but for eclipsed the great German producer made an exception. The trained actor, long considered the "sixth Scorpion", talks about Klaus Meine's voice, his meeting with Billy Joel, drinking bouts with Rory Gallagher, his inventions and a dream in the second part of our big interview.
eclipsed: Dieter, what do you appreciate about Scorpions singer Klaus Meine?
"I just lost one of my closest friends in our longtime tour manager and Al Schmitt, the legendary engineer who worked with us on 'Toto IV', has also passed on. Sorry, that brings me down." With these words, Steve Lukather apologises for his tardiness. Quickly, however, he switches gears. Because the actual reason for the conversation is quite a positive one, after all, with "With A Little Help From My Friends" the first sample of the new Toto line-up is released
eclipsed: Why did you do a streaming event? There is not necessarily a concert atmosphere.
"Pawn Hearts" is considered the opus magnum of one of the greatest prog bands of the 70s. It was a groundbreaking album in many respects - with its mixture of melodiousness and aggression, a long track covering an entire LP side, dark, psychedelic passages and, last but not least, Peter Hammill's expressive vocals, which still fascinate, but also disturb music lovers worldwide. On the occasion of the 50th anniversary of the work, eclipsed spoke with the musician about an exciting but also exhausting time in the history of England's most uncompromising prog formation.
The Styx saga continues: Four years after the concept album "The Mission", the band from Chicago reports back with the no less ambitious work "Crash Of The Crown". Even after about five decades in rock orbit, they continue to evolve without losing their identity. Founding member, guitarist and vocalist James "J. Y." Young has his very own take on things and chats candidly about his relationship with Chuck Panozzo, who still occasionally plays bass, and former keyboard leader and vocalist Dennis DeYoung.
For decades he was a kind of showcase songwriter of West Coast rock: a beau with catchy songs, famous musician friends, dapper playmates and hippie lifestyle and an exemplary political and environmental activist. But at the age of 72, even Jackson Browne has to shift down a few gears. This manifests itself in increasingly rare albums, tours and interviews. With "Downhill From Everywhere" he releases his first sign of life in seven years - an ambitious late work that comes across as versatile and gentle at the same time
Level Pi is the one-man-project of Uwe Cremer from Cologne. The man is a Krautrock and Pink Floyd fan through and through. So it's no surprise that the new album "Electronic Philosophy" also tries to combine the stylistic means of the Berlin electronic school and the British art rock icon.
When Ian Fraser "Lemmy" Kilmister died on December 28, 2015, it was automatically the end of Motörhead: Ultimately, all the remaining members of the group, no matter how long they were around and how much musical input they provided, were always just "sidekicks" to the band's founder. But not only Lemmy himself, Motörhead also became a legend, especially in the last 20 years of their existence, when the group managed to captivate an increasingly diverse audience that ended up being far larger than is the norm in the hard rock and heavy metal cosmos
Already the sensational album title challenges the question. Who is the singer of the New York prog rock band IZZ talking about? Is "The Most Dangerous Woman In America" Laura Meade herself? Or which woman(s) is she thinking of? Musically, the second solo album is also convincing. An electronic soundscape has swept away the rest of the tender folk in her Kate Bush/Tori Amos brand of artpop
Strong women are muzzled in society
