Who does not remember the pleasant shiver when watching old "Dracula", "Frankenstein" or Edgar Allan Poe movies? The horrifying "grimaces" of Bela Lugosi, Christopher Lee or Vincent Price are etched in the collective memory. Now the Welsh band Magenta is dedicating an album to these eerie mimes.
The Moving Oos were already quite successful in the first decade of the new millennium, but for some inexplicable reason and after three albums, they have taken leave in 2010. The fact that the three main musicians Per Borten, Frank Reppen and Haakon-Marius Pettersen do not reinvent rock'n roll on the side or full-time with bands like Spidergawd or Cadillac, Blood On Wheels and Turbonegro, but they do make it a little more interesting and exciting, may have been one of many reasons for the end of the band.
The Swedish Louise Lemón is a charming and highly sensitive young lady, but without doubt as a painfully intense artist she is also a real drama queen. It is not for nothing that the press awarded her the title "Queen of Death Gospel". Her soul life, which she likes to reveal with her music, resembles a constant exorcism - to drive out her own inner demons, which make especially the love life so difficult. On her current EP, appropriately titled "Devil", you can be a witness to this "exorcism".
Most recently, the Americans Steve Babb and Fred Schendel had great success with their project Glass Hammer. The genre-ironic story about the time-traveling prog nerd Tom on "Chronomonaut" (2018), for example, amused the otherwise sometimes very serious retroprog fan community. Now Glass Hammer return to their roots. Already their 1993 debut "Journey Of The Dunadan" was inspired by Tolkien. On "Dreaming City" the "Sword & Sorcery" factor (subgenre of fantasy literature) is now also extremely high. And also musically they have come up with some new ideas.
With their pithy lap-steel, slide and acoustic guitars the two sisters Megan (31) and Rebecca (29) Lovell already accompanied Steven Tyler of Aerosmith, Bob Seger or country superstar Keith Urban and made their songs swing powerfully. But the musical epicentre of the two Graces from Atlanta, Georgia, who have been calling Nashville their home for quite some time now, is their own project Larkin Poe. The "soulmates", as Megan and Rebecca like to call themselves, have always been docile students of the original blues.
It is not new that Paul Banks likes to have a series of flings alongside his band Interpol. But he seems to be serious about his new project Muzz. Besides Banks, the group consists of drummer Matt Barrick from The Walkman and the Fleet Foxes and guitarist Josh Kaufman from the folk band Bonny Light Horseman. All three musicians have known each other for a long time. It was never really a question of whether they would get together, only when that would happen.
Smokemaster - these are five young guys from Cologne: TobMaster (bass), Tobias T (keys), Lukas (drums), Björn (vocals) and Jay (guitar) have made it: their untitled debut is out. Six tracks full of the sounds of the 60s and 70s. Stoner Rock meets Psychedelic meets Blues. All with handmade charm, with sweat, with passion. In an interview with eclipsed the band talks about the background of the album and the band itself.
eclipsed: You are still a blank musical page. Please describe how and when you met and came together.
In 2010, Cologne-based space rocker Alan J. Bound released his third and last studio album "Cosmology", which is now officially re-released on the occasion of his 10th anniversary. It offers pure space rock, filled to the brim with guitars and off-world synthesizers. Bound, who lives in Cologne, also had a celebrity guest: CAN drummer Jaki Liebezeit. Opposite eclipsed, Bound remembers the album and gives a small glimpse into the future.
eclipsed: "Cosmology" is now celebrating its 10th anniversary. How did the new edition of the album come about?
After the failed attempt to rekindle the old fire during the "Get Back" sessions, the Beatles experienced a rapid process of disintegration: the cracks that had already opened up during the "White Album" became bigger and bigger. The separation in April 1970 led to chaos: The creative couple Lennon/McCartney was history, friendships were broken, but at the same time the four musicians were still contractually bound to each other. How did it continue for them? How can their solo work of the 70s be assessed from today's perspective?
